
[I prefer to remember her better days...]
[Amy Winehouse - You're Wondering Now (right-click & 'save-target-as' to DL)]
Cause + Effect = Karma,
C
p.s.
We cause most of our own suffering needlessly.
-Dalai Lama

[I prefer to remember her better days...]
[Amy Winehouse - You're Wondering Now (right-click & 'save-target-as' to DL)]
Cause + Effect = Karma,
C
p.s.
We cause most of our own suffering needlessly.
-Dalai Lama
“the ways in which…”
“counterhegemonic”
“culturally relevant pedagogy”
“problematic”
“paradigm”
“framework”
*ahem*
The paradigms we use in ‘culturally relevant pedagogy’ are problematic due to the ways in which our frameworks claim to be counterhegemonic, but completely alienate many of those we are trying to love and serve. =T
OR…
We go into deep, ridiculous f*cking financial debt to learn how to talk exactly like the people we are trying to do battle with, and those who aren’t up on the hill with us are suffering when we can’t relay the 411 needed to maintain solidarity with them.
_______
A brilliant young person from Hunter’s Point reminded me of this fact, this morning at Downtown HS in Frisco. San Quinn’s “cultural capital” (the knowledge their life experience affords them) needs to be just as valued as that of J.D. Salinger’s (R.I.P.)
Tip-toeing on the tightrope,
C

[Hip-Hop historian, journalist, jack-of-all-trades, Davey D]
Q: Is Hip-Hop a “Movement” or a “Moment”?
A:
[Former Vice-Presidential Candidate, Rosa Clemente]
[Chuck D of Public Enemy]
I have been blessed enough to be TA-ing for Dr. Dawn-Elissa Fischer and Davey D in SFSU’s Hip-Hop, Globalization, & Identity Politics course this semester. It is truly an honor, a privilege, and a weekly whoomps upside my fat head with regards to challenging everything I thought I knew about everything. Appreciating every second of it.
Can’t stop; won’t stop,
C

[CLICK PIC 4 FREE Download. via The Couch Sessions]
Had to post it. Catch Little Dragon LIVE @ The Independent in SF on Tuesday, April 13 and/or Wednesday, April 14. Tracklisting after JUMP. Read More »
[Behind the scenes of Bambu & Geologic's "Slow Down" video shoot (Directed by Tadashi Nakamura)]
It’s been hella exciting to see APIA artists taking themselves seriously and doing their thing suuuper tough these days. Bambu, Geologic, DJ Phatrick, Sabzi, Kiwi, Eyeasage, Fatgums, Power Struggle, Beatrock, MassmovementTV, Eric Tandoc, Tad Nakamura and everyone they roll with seem to definitely be on the forefront of an artistic movement with regards to young adult APIA folks on the west coast. It’s like watching a 2010 Cali/Washington Voltron.
To me personally, it’s been a crazy inspiration to see the LA-bred Nikkei bretheren, Tadashi Nakamura really put his love of community, unarmed truth, and justice into his art. His documentation and promotion of APIA folks who are doing the hardass work to save the babies and change sh*t for poor and working people of color deserves our community’s attention, deep respect, and gratitude. And while I’m well that aware I’m quite capable of saying and doing some sillyass sh*t from time to time, if you’ve ever respected anything I’ve ever said or done, trust that Tad and his community down in SoulCal are doin’ it movin’.
Bambu’s new EP Paper Cuts promises to be fire and will be out and available for purchase at BEATROCK on February 23rd.
AND
Tad Nakamura has a DOPE website that you should visit right now this very second: tadashinakamura.com
Yoku Dekimashita!
Masashi

[Green Day - Last of the American Girls (right-click & 'save-target-as' to DL)]
She puts her makeup on
Like graffiti on the walls of the heartland
She’s got her little book of conspiracies
Right in her hand
She is paranoid:
Endangered species headed into extinction
She is one of a kind
She’s the last of the American girlsShe wears her overcoat
For the coming of the nuclear winter
She is riding her bike
Like a fugitive of critical mass
She’s on a hunger strike
For the ones who won’t make it for dinner
She makes enough to survive
For a holiday: working-classShe’s a runaway of the establishment incorporated.
She won’t cooperate
She’s the last of the American girlsShe plays her vinyl records
Singing songs on the eve of destruction
She’s a sucker for
All the criminals breaking the laws
She will come in first
For the end of western civilization
She’s an endless war
She’s a hero for the lost cause
Like a hurricane
In the heart of the devastation
She’s a natural disaster
She’s the last of the American girlsShe puts her makeup on
Like graffiti on the walls of the heartland
She’s got her little book of conspiracies
Right in her hand
She will come in first
For the end of western civilization
She’s a natural disaster
She’s the last of the American girls
Have fun in Sacramento, baby. You are so strong, so brilliant, so never alone and I will so never stop loving you.
Yours,
Masashi

[Blu]
[Blu & Exile - In Rememberance of Me (right-click & 'save-target-as' to DL)]
I love posting Blu’s sh*t because I can just let the song speak for itself. Exile’s beats are beauty wrapped in boombap. Read More »

[Howard Zinn (August 24, 1922 - January 27, 2010)]
You gave us an amazing example of how to use one’s access to privilege, knowledge, and power, to redistribute resources despite our human flaws, imperfections and shortcomings. You were a true ally to those suffering unjustly and your efforts will never be forgotten.
[Howard Zinn - A People's History of American Empire]
Bless,
C
p.s.
Protest beyond the law is not a departure from democracy; it is absolutely essential to it.
-Howard Zinn

[Mac Dre (July 5, 1970 – November 1, 2004) R.I.P.]
[Mac Dre - Life's a B*tch (right-click & 'save-target-as' to DL)]
The truth hurts. Mac Dre was (and continues to be) a profound philosopher and purveyor of truth with regards to the morally bankrupt America, we who reside here, are privileged(?) enough to operate within. When he speaks of the “squares who don’t understand,” he is talking about me and everybody else who gets to make a decision as to whether we look at the conditions of injustice he, and those like him have had no choice but to face head-on. So for me, whenever I feel “too tired” to add another thing to my busy ‘grad-student/teacher’ schedule, I think of my childhood best friend/brother in Soledad Prsion, and throw on some Mac Dre, ‘Pac and/or many other purveyors of painful truth, to remind myself, not only of those who don’t get to decide when they feel discomfort, but to remind myself about the depths of strength and resilience existent in the human spirit when confronted with the catastrophic. Read More »